At 03:16 PM 10/4/2003 +0200, Raesene Andu wrote:
> By the way, love the new Avatar, very nice indeed.. B)
Thanks. Its from a painting called _The Homecoming_ and Im afraid I
don`t know who the artist is since I just found it on-line (if anyone knows
I`d live to find out.) I like to think of it as the Cold Rider, though it
would also make a nice illustration for one of the Magian`s Riders. I
especially like the ironic touch that if one used this depiction for either
of those purposes the figure in it is not mounted…
There`s a decent copy of it (and several others)
at: http://www.skohls.de/pics_desktop_3/index.html
Many years ago I played in a campaign in which the DM made extensive use of
photographs and artwork culled from a wide variety of sources. National
Geographic shots of crumbling castles; fantastic close ups of insects and
other strange animals, faces from ethnographic studies and anthropological
documents. Otherwise the DM was kind of a dud–he had a penchant for
linear plotting and do-or-die situations–but I can`t find fault with his
excellent use of visual aids. It made for very dramatic effects on the
campaign, and I`ve always envied/aspired to the completeness of his graphic
presentation. In recent years it`s led to an unfulfilled lust for one of
the expensive 1,000+ lumen projectors and laptop that I get to use for work
to use while GMing in a boardroom sized space with whole wall of dry erase
boards, another wall of RPG materials, and maybe a sideboard with coffee
and snacks… Its rather twisted that during some of the seminars Ive
conducted my mind has wandered from the presentation to muse upon what an
excellent place the room would be to play D&D. If the attendees only knew
I was picturing them in chainmail and hauberks, not to mention the
occasional leatherette rogue or buxom serving wench outfit… Oh,
well. Someday.
Gary